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- On On Tues. 6 Dec. a small amount of monies was set to be released to some in Tier 3, while a week later on Tues. 13 Dec. Tier 3 could be fully liquid. …a High Up Source.
- Redemption Centers should get notified tomorrow Wed. 6 Dec. on their schedules. …Bruce
- A German source said we should see the Iraqi Dinar International rate on the Forex after 12:01 am tonight. …Bruce
- Tier 4B should be notified to set appointments sometime on Wed. 7 Dec. for exchanges to begin on Thurs. 8 Dec. If we don’t get notified Wed. we should get notified Thurs and begin Thurs. …Bruce
- On Thurs. 8 Dec. is the date that all monies flow in to where they are supposed to be such as Bond Holders, Bond Sellers, Farm Accounts, CMKX, etc. …Bruce
- On Tues. 6 Dec. a small amount of monies was set to be released to some in Tier 3, while a week later on Tues. 13 Dec. Tier 3 could be fully liquid. …a High Up Source.
- Tier 4B could be notified of appointment setting at any time from now to Jan. 2023. …Dr. Tom
Lost tribes of Israel and space Nazis come out of closet as Satanic rule collapses. There can be no doubt the planet earth is going through changes that are beyond biblical in proportion. That is why an ancient secret society -with roots going back to the biblical Jacob in Egypt- as well as space Nazis on flying saucers are coming out of the closet. This is happening because an esoteric war that has been raging for thousands of years is coming to an end. What we are witnessing is an end to millennia of Satanic rule on this planet.
Let us start with events in China because they hold the key to so much else that is happening and is about to happen. China was touted by top Satanist Klaus Schwab Rothschild (Rothschild=red shield of satan) as the model for their digital human animal farm New World Order. he plan the Satanists had for this planet was to genetically modify every human into farm animal-type obedience, microchip their brains and control every aspect of their lives through constant, intrusive digital surveillance. In other words, literally, turn the planet into a giant human farm. [China implemented all this, blah, blah blah]
Well, the Satanists underestimated the Chinese. Chinese history shows that people will put up with a lot, but, when a certain point is reached, they simultaneously explode into rebellion. That is exactly what happened last week after Asian secret societies mobilized. First, top enforcer and former Chinese President Jiang Zemin died suddenly “after a long illness.” Following that, police and soldiers moved in and started dismantling PCR testing facilities and arresting the white-suited zombie enforcers.
The Asian secret societies are also aware the so-called pandemic was a combination of a 5G electromagnetic attack with the release of viruses by Rothschild-controlled laboratories in China. It is no coincidence that Klaus Schwab Rothschild was spotted at the Waldorf Astoria hotel in Washington DC last week.
Putin And Dolly Parton Slap Down Satan As West Realizes Russia Will Never Run Out Of Ammunition. An intriguing new Security Council (SC) report circulating in the Kremlin today first noting President Putin signed into law a bill passed unanimously by the Russian Parliament completely banning LGBTQ propaganda of nontraditional sexual relations, gender reassignment and pedophilia on social networks, in the mass media, films and advertisements, says at near the exact same time this bill was signed into law yesterday, ...but joining President Putin to defend Christianity against socialist Western colonial demonic ideology, world-renowned American music legend Dolly Parton performed her hit song “Go to Hell” during a leftist NBC special programme, where she rebuked the Devil on prime-time television, proclaiming “Satan is real” and warning “He is trying to destroy everything good and beautiful”. [And a bunch of stuff about Western colonial bloodlust & Russia wonderfulness]
Inside Biden’s Billion Dollar, Drunken Gala Dinner [for French President Macron]. Thursday night’s liberal lollapalooza at Tyler Perry Studios’ “White House” was a farrago of drunkenness, paranoia, chicanery, pomposity, and alcohol-fueled rage toward Donald Trump and Elon Musk...Pelosi was tipsy when she arrived at the feast and sauntered to an open bar replete with scintillating bottles of pricey liquor–Clase Azul tequila, 50-year-old Appleton Estate Rum, Macallan Sherry Oak whiskey, and, to top it off, Chateau Margaux grand vin. Chilled decanters of 1959 Dom Perignon sat in ice buckets at every dinner table. As guests donned in tuxedos or ballroom gowns funneled inside the imitation White House, Pelosi lingered at the bar, heartily sampling various liquors while the bartender stared at her in dazed bewilderment...Meanwhile, Pelosi continued indulging in drink and, therefore, losing her inhibitions. At one point in the evening, she made a comment so cringeworthy that those within earshot feigned deafness or simply distanced themselves. Her speech slurred, she said she had “the best and biggest boobs in the House, better even than,” she added with distaste, “AOCs or MTGs.”...Later in the evening a splenetic, irascible Biden was overheard saying that “I need my candy,” after which his personal physician, Dr. Kevin O’Conner, escorted him from the banquet hall to a private room. Biden reappeared 20 minutes afterward, rejuvenated and refreshed, and loquaciously touted his “accomplishments” to rapturous applause. “Candy is Biden’s codeword for Adrenochrome,” our source said. “He was going downhill, so got his shot or infusion, then came back to serenade his sympathetic audience.
[As previously reported, Pelosi was arrested after the banquet & hauled off to Gitmo] AG sources told Real Raw News Saturday morning that Pelosi has been charged with multiple counts of treason and seditious conspiracy—coincidentally, perhaps, the very same charges she told the Department of Justice to level against Oath Keeper Stewart Rhodes, [also] The United States Navy Judge Advocate General’s Corps has released the name of a Hollywood producer who was arrested after attending the criminal Biden regime’s banquet last Thursday evening. That person is Eli Roth, an American film director, screenwriter, producer, and actor whose name is synonymous with torture-porn: Roth is best known for directing the film Hostel, a ghoulish fright-fest in which attractive, scantily clad young women lure horny college boys to an industrial warehouse owned by a secret society...According to a military arrest warrant reviewed by RRN, Roth’s snuff flicks weren’t entirely fictional. The document alleges that Roth sought to make his films as realistic as possible; Before principal filming began on Hostel, Cabin Fever, and The Green Inferno, Roth rented property in Bilisht, Albania, and used his underworld connections to hire members of the Albanian mafia to torture and murder people in ways that would eventually appear in the films.
Not to be confused with the Ark of the Covenant, which houses the two stone slabs of the Ten Commandments, the Ark of Gabriel, which is not mentioned in the Christian Bible, is a mysterious device, a secret weapon that many people are only beginning to learn about. Its legend has been perpetuated by the havoc it has wreaked over the centuries, as well as its potential to be unleashed upon the world.In other news
Wild rumours that a fabled device or weapon called the “Ark of Gabriel” has been found under the Masjid al-Haram Mosque – the holiest site in Islam – are sweeping across the darker corners of the internet.
Legend tells the Archangel Gabriel – who told the Virgin Mary she would give birth to Jesus and dictated the Koran to the Prophet Muhammed – also entrusted an ark or box of “immense power” to the founder of the Muslim faith.
Muhammed was told to bury the ark in a shrine at a “place of worship” – for it to be brought out as the end of the world approaches.
Paranoid survivalists believe Saudi Arabia has uncovered the ark during a major construction project at the Grand Mosque – and handed it to the Russians.
They claim the Russian military is taking the ark to the Antarctic – possibly to a former Nazi UFO base.
...[An] attempt to remove the ark on September 24 caused a massive “plasma emission” that resulted in more than 4,000 deaths – Sorcha Faal claims. More than 2,000 were indeed killed in Mecca on that date – but the deaths were blamed on a stampede during the Hajj pilgrimage...
On hearing the news, Russian president Vladimir Putin reportedly dispatched the naval research vessel Admiral Vladimisky to collect the ark from the Saudi port city of Jeddah – the gateway to Mecca – and take it to the Antarctic. Two Russian battle satellites were launched to protect the Admiral Vladimisky and its precious cargo and a fleet of Russian warships, a salvage tug and oil tanker – carrying out manoeuvres in the Indian Ocean – have been ordered to rendezvous with it.
JFK Jr.: Most Convincing Photograph That He’s Still Alive And Is Q, Is This!! For me this is the most convincing photo proof that JFK Jr. is still alive. Notice a portion of the US military and others not in uniform… there’s the grey haired fella at the bottom of the Q wearing a dark suit… JFK Jr.? This is a photo of JFK Jr. with the Q team? Sure seems like it don’t it. This photo needs to be shared widely… it needs to be debated… it needs widespread presence on social media. Are we all in this together or what? I do believe so. It’s time we got more familiar with those protecting us.
The people in this photograph are the masterminds and higher levels of the greatest military intel drop in the history of the world, with the founder and original editor of George Magazine… who knew he would have to go away, to be part of the secret mission to not only save America, but also save humanity.
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Want to convey tension, anxiety, uneasiness, confusion or similar feelings of disorientation in a composition? Tilting your camera angle to one side — essentially, the camera equivalent of tilting one’s head to look at something — can achieve this.Relevant resources:
Also known as the Dutch Tilt, German Angle, canted angle, canted camera, or oblique angle, the technique consists of an angled camera shot where the horizon line isn’t parallel with the bottom of the frame, and vertical lines are at an angle to the side of the frame.
For most of us, when we hear the word symmetry, we think about reflecting things in a mirror. Some of the letters of our alphabet exhibit this type of symmetry: “A” and “T” are vertically symmetric, while “B” and “E” are horizontally symmetric. “O” is symmetric about any line that you draw, as well as rotational symmetry: no matter how you rotate it, its appearance is unchanged.Siegel then provides a graphic showing that capital letters B, C, D, E, K exhibit symmetry if we cut them in the middle with a horizontal line. The capital letters A, M, T, U, V, W, and Y exhibit symmetry when we cut them in the middle with a vertical line.
“There are many letters of the alphabet that exhibit particular symmetries. Note that the capital letters shown here have one and only one line of symmetry; letters like ’I’ or ’O’ have more than one.”
“A push-in moves the camera closer to a subject typically with a dolly camera movement or Steadicam. Pushins can draw the audience’s attention toward a specific detail.Push in shots are used to “create subtle intimacy, tension rising, and importance.” From “The Push-in” (YouTube video):
Filmmakers also push-in toward characters to try and infer what is occurring internally. This can be a reaction, thought process, or internal conflict.”
“The Push-In, sometimes called the Character Dolly, is a camera move where the camera dollies forward toward the subject of the shot. A short push-in is like an exclamation mark. A long, slow push-in builds drama and heightens the emotional meaning of the scene. The push-in is a powerful cinematic tool for heightening tension and dramatizing a revelation, and it’s one of the fundamental techniques of the cinematographer and layout artist.”From “The Effects of a Push in vs. Pull out” (Cinematography): “When the camera pulls out from a character to show empty space around them, it creates a feeling of isolation and loneliness, abandonment, or rejection.”
An extreme close-up shot frames a subject very closely, often so much so that the outer portions of the subject are cut off by the edges of the frame. On an actor, this is commonly used to show specific portions of the body, like the face or hip, but it can go closer to show only an actor’s mouth, or even a single eye.From “Choker Shot” (Media College):
Inanimate objects can also be framed in an extreme close-up shot, but everything is based on the scale and size of the object. If you were to frame a steaming tea-pot in an extreme close-up, you might focus on the spout or base. The idea is that you cannot see the entire subject, but rather are forced to focus on a particular portion, hopefully, for the desired effect.
The choker shot is very similar to the extreme closeup (ECU), and the two terms are often used interchangeably. A typical choker shows the subject’s face from just above the eyebrows to just below the mouth, as pictured left. Other common variations are illustrated below. Our preferred definition for the choker is a shot half way between a closeup and an extreme closeup.The article “Extreme Close Up: Everything You Need to Know” states the reasons why directors use close-up shots:
As with all shots that are this tight (i.e. zoomed in this much), you really need a good reason to use it. Chokers should be used judiciously as not everyone will be flattered in such a revealing view.
One of the most famous choker shots in cinema history is Jack Nicholson’s “Heeeere’s Johnny!” moment in Stanley Kubrick’s “The Shining.” Because both the hole in the door and the camerawork isolate Nicholson’s expressive visage, you could watch the scene on mute and still understand how Kubrick wants you to feel.
“The 180 degree rule is a filmmaking guideline for spatial relations between two characters on screen. The 180 rule sets an imaginary axis, or eye line, between two characters or between a character and an object. By keeping the camera on one side of this imaginary axis, the characters maintain the same left/right relationship to each other, keeping the space of the scene orderly and easy to follow.”The Studio Binder article also discusses the uses of the 180 degree rule:
“When the camera jumps over the invisible axis, this is known as crossing the line or breaking the line, and it can produce a disorienting and distracting effect on a viewer.”
![[ guide ] a mini guide to the short midface -- one of south korea's key beauty standards](https://b.thumbs.redditmedia.com/zz6gAafT7qAV1USL8iyjmGvSLvl7EI1OJUyL49aFeZY.jpg "[ guide ] a mini guide to the short midface -- one of south korea's key beauty standards") | disclaimers: submitted by softhorns to AsianBeauty [link] [comments] i am NOT an expert or professional! please feel free to jump into the comments to correct me or add your own knowledge. also, all pictures are not mine, i stole them from the internet. first, i want to establish: i am NOT trying to dictate what is beautiful and what isn't. 'objective beauty standards' are subjective. i do NOT condone korean beauty standards as universal truths. i will discuss certain 'standards', features, concepts, and tips on how to adjust or achieve certain effects; i am NOT implying those without these are not beautiful, or that features 'need to be fixed' or look a certain way. i firmly believe everyone is beautiful as they are. if you don't care for a short midface, please disregard this guide! we are merely exploring a beauty trend. do not let restrictive, pedantic beauty standards be toxic, misogynistic, or detrimental to you. lastly please note this guide covers makeup techniques. i will not discuss skincare, or any other kind of cosmetic procedure including facial massage, fillers, botox, surgeries, etc., (as i just don't have enough knowledge on the topic) so if you are not interested in makeup, skip the tips section! introductionwhen we consider what makes a face beautiful, we tend to single out individual features to measure - eyes, lips, skin, jawline - and often accidentally overlook the key factor of facial harmony.facial harmony is the interplay of features, their positions and composition on our face. it is the reason the exact same feature can be flattering on one, yet discordant on another; or why someone can have seemingly 'basic/average' features yet still be pleasant to look at. the more harmonious your facial features, the more 'objectively beautiful' the face. the midface is a crucial factor of facial harmony, and a small midface is a relatively universal and also especially a korean beauty standard. today we will explore what it is, why it is considered so attractive, and how to achieve it with oft-used east asian makeup techniques. if you already know what a midface is, skip right ahead on to the tips section! TLDR: a short midface is attractive because it creates the illusion of a 'younger, sweeter, cuter' face; it can be emphasised with makeup (and hair, accessories, etc.), mostly by 'breaking up' and filling the plane of the midface. go to the bottom for a tldr summary of the makeup tips. the short midfacethe midface is the middle third of what is called the 'facial thirds', as described by leonardo da vinci in the old analysis of human anatomy. you might remember using this in art class to draw proportionate faces! i'll include a graphic below for reference; please note it spans the hairline to the chin.just for today, we will take the 'general standard' when considering the midface, spanning browbone to the upper lip. the midface clocks the position of all major structural features - eyes, nose, lips, brows, cheek/bone structure. in a shorter midface, features are more compact, closer together, with less space between them. this is considered a korean beauty standard (part of 'small face'). why? firstly, it is a characteristic of neoteny - that is, to essentially look like a baby. babies' features are compacted close together, with relatively big eyes; as we grow, generally the face enlarges and features spread, changing proportions. neoteny of the face is considered a universal factor of attractiveness in women, where youth innately connotes fertility, engendering subconscious preference. this is coupled with the appearance of youth, innocence, and purity being one of south korea's biggest and most longstanding beauty standards; 'baby face' is also an increasingly popular current western beauty trend as well. secondly, the concentration of features gives the illusion of a smaller face/head, making features (like eyes) seem bigger relatively, and the body longer proportionally, both of which are prominent korean beauty standards; a small head is also often a western beauty standard for the same reasons - many top models have it. (small face/head can also be measured by head size relative to body, size/shape of jaw, distance between lips and jaw/chin, etc.) overall, a shorter midface makes a face seem 'cuter', 'sweeter', 'younger', 'fresher', and more delicate. one of the biggest current beauty trends in south korea is the 'sexy-cute' visual; you'll notice it in many of the current 'it girls', the trend-setting celebrities well known for their iconic visuals like blackpink's jennie and ive's wonyoung, and also famous faces like han sohee, lee sung kyung, blackpink's lisa, red velvet's joy, twice's tzuyu, etc. https://preview.redd.it/396y13dsmnz91.png?width=1280&format=png&auto=webp&s=530cd49c4c75f3037087edd7bdd15cae0be695de many have shorter midfaces, and rounder cheeks (contributing to a shorter, fuller face), which lends a young, 'sweet' babyfaced vibe, which, with big eyes and heart-shaped/pouty lips and delicate features, contribute to the 'cute' factor while balanced by 'sexy' factors like body, full lips, feline eyes, facial expressions/etc. this trend is another reason why a short midface is currently so popular and trendy. so if you've ever felt insecure about a short face and full cheeks, now is your time to shine! that said, please remember a short mid-face is not the essential standard of beauty! many incredibly beautiful people have longer faces and spaced features, and are beautiful not in spite of, but along with and because of it - think blackpink's jisoo (considered one of kpop's current greatest visuals) or rose, sunmi, bella hadid, adriana lima, megan fox, liv tyler, etc. longer faces tend to have elegant, graceful, sophisticated, classy, mature, sexy, or even mysterious vibes - so every face has its benefits and unique beauty! https://preview.redd.it/jy8942evmnz91.png?width=1280&format=png&auto=webp&s=b9339018a6a6d641e62c9beaf6d9e19a3e314c7f the essential factor is that the overall face is proportionate and harmonious - the 'perfect ratio' is for the facial thirds to be equal (but, even if your facial thirds are not exactly 'proportionate' by someone else's standards, you are still beautiful just as you are ok.) oki let's move on! achieving the short midfacechances are, you may already use some of these techniques without realizing it shortens the midface! you might do it and think 'wow, my face looks better but i don't know exactly why' - but now you know. many of these also work by enhancing other features so even if you don't care for the midface you can still try them for other benefits.imagine applying full coverage foundation all over your face, blanking everything out. suddenly the face looks super flat and weird and lifeless, right? until you 'add dimension' back with blush, bronzer, highlight, contour, etc. these steps 'break up' and 'fill up' the face, and shortening the midface plays into this. we can break it down into several areas, which i will cover below. *before we go on, i want to emphasise again that we are NOT 'correcting' or 'fixing' features. we are just adjusting the appearance of features to fit a certain kind of visual. there are NO 'bad' features. SKIN. skin is the base of the whole face. texture can be used to give the illusion of varying volume - the greater the glow, the greater the volume. this is because when a surface reflects light, changes in shape are highlighted, and the perception of volume or curve is created. to create a sensation of more volume around the cheeks and midface, have glowy base makeup. it doesn't have to be super 'wet/dewy', but a healthy, hydrated, skin-like glow. you can achieve this with skincare, dewy primer or foundation, highlighter, luminous finishing powder or spray, or any method you prefer. if you struggle with looking 'puffy/swollen', consider strategic powdering - powder the areas you don't want so much shine or volume, such as the perimeter of the face and the nasolabial folds, and leave the rest glowy. stay balanced and realistic. try to decrease 'hollow' or 'sunken' areas like dark eye circles with concealecolour corrector (sorry i don't know much about concealing undereyes, but there are lots of good tutorials out there). you want to create that illusion of fullness in the face, of bouncy fresh skin with a lot of collagen and hydration. EYEBROWS. brows are the 'roof' of the midface. lower straighter brows shorten the appearance of the midface. if you want to compress the midface from the top, fill in your eyebrows lower and soften the arch; straighter, thicker brows tend to lend a more innocent 'youthful' vibe compared to thinner arched brows, which elongate the face and visually expand the eye socket area. the angle makes a difference; downturned brows give younger, sweeter, 'worried' wide-eyed vibes, while upturned eyebrows give a more intense, fierce, 'angry' vibe. left: straight / right: arched you can 'expand' the eye socket area by lengthening the brows to the side. shorter brows leave more of a vertical 'space' bar on the side of your face that has an elongating effect. extending the brow will convert more midface to 'eye area' and broaden the midface while making the head/face itself look smaller; but it might also give the effect of more spaced out features and counterintuitively a narrower face. so it depends on your natural face and technique; experiment to see what works. that said, please note that brows that are disharmoniously low and straight for your personal face can look heavy, masculine, or tired, especially if too thick/dark (it should be harmonious with your depth, saturation, size/shape of your personal facial features). it can give more of the effect of 'squashing' the midface than shortening if you're not careful. EYES. the main idea is expanding the eye socket by 'claiming more area' as the 'eye area', and encroaching into the midface to shorten it or decrease its area. intuitively, the focus is the undereye (and avoiding the ~ sleep deprivation aesthetic ~). the undereye is fun to play with especially if you have difficulty with the upper lid (hooded eyes, monolids, etc. that traditional tips don't always play nice with). defining the lower lid and undereye can be a gamechanger both to shorten the midface, and also if you naturally lack lower lashline definition - this is common in east asians with light skin and sparser hailower lashes. adding back definition can emphasise the beauty of your natural eyes that previously wasn't as easy to see, or even tweak the shape if you want. basic tips include not taking your foundation/concealer all the way up to the lower lashline; leave a tiny bit of natural skin rimming the lower lashline. this 'claims' more area as 'eye' instead of 'cheek', and helps makeup look less stark. you can place eyeshadow or eyeliner in this area; keep close to the lashline - going too low can 'drag down' the face. follow the shape of your eye. the lower lid usually should not be darker or thicker than the upper lid; this can drag down the eyes/face. balance with the upper lid. curling the lower lashes downwards with mascara can claim more eye area and 'open up the eyes'. if you struggle with sparse lower lashes clumping, use a mascara with a thin brush and dry formula, take the excess off the wand, whisk lashes lightly for a wispier look, and comb with a clean spoolie. the advanced version is aegyo sal, the icon of kbeauty. what differentiates aegyo sal from 'eyebags' is 'eyebags' are generally shadowy, hollow/sunken (tho sometimes they puff), and lower on the face (which gives a 'dragging' effect); meanwhile, aegyo sal are closer to the eyes, bright, puffy, plump fat. they are also usually narrower. they not only shorten the midface by taking up cheek space, but add to 'attractiveness' by claiming more space as the 'eye area' (thus making the eye area take up more of the face and seem relatively 'bigger'), and creating a 'happy expression', since aegyo sal tends to be most prominent when smiling or tensing up facial muscles - either way, it demonstrates emotion. if you do not naturally have any aegyo sal at all, you might not be able to create aegyo sal that looks realistic in real life with only makeup. but if you don't mind, by all means go ahead and create them! these tips however are mostly for emphasising pre-existing aegyo sal. if your aegyo sal is very faint, smile to push them out and use that as a template to trace. drawing the aegyo sal too high encroaches into the eye and gives a swollen/puffy effect; pull it too thick/low and it looks like an eyebag; giving it too much of a deep curve can also make it resemble eyebag. harmonize the shape and thickness with the overall shape of your eye and upper lid - again it shouldn't be heavier or darker than the upper eye or it may drag the eye down. use a very light hand, build slowly; unless you have sharp/strong features/contrast, aegyo sal usually only needs to be quite light to look natural. try to use shades that already exist on your face - such as your contour or brow pencil to contour, and face or inner corner highlight to highlight (if you don't want shimmer, use a light matte to highlight) - this will harmonize it to the rest of your face. you can try those fine pens marketed for aegyo sal, but personally i find they don't look realistic on anyone in real life. if you need more visual guidance, there are tons of aegyo sal tutorials online. because the midface goes up to the brow bone, claiming more of that upper lid area as the eye and drawing attention to the eyes can help shorten the overall midface. curling your eyelashes, eyeshadow on the upper lid, contouring the eye socket (remember to follow the shape if you've lengthened your brow), thicker eyeliner, can help with this. much like the elongating the eyebrow, elongating the eye can either add to or subtract from the midface depending on your features, so this is another area you have to experiment on your own. this is a stretch, but circle lenses with a larger graphic diameter than your natural iris enlarges the appearance of eyes, which gives the illusion of taking up more space, hence a smaller midface and face; it will also draw people's attention more towards your eyes, which are in the middle of your face, drawing attention away from the periphery. (be careful not to go too big; if you lose too much eye whites, you can end up with a 'dog/horse eye' effect). observe the effect of lashes, aegyo sal, eye socket contour, and circle lenses (please note that the makeup in this image is quite exaggerated, it would probably look more unnatural and unrealistic in real life) CHEEK & NOSE. the cheek/nose area (along with eyes) gives the most impact, and there are many techniques here. first, blush placement. the simplest most impactful method is the 'sunburnt' or igari style, across the bridge of the nose and the midface. this is why the 'drunk' flush is so cute. it 'breaks' and 'fills up' the midface and brings everything closer together. you can use bronzer if you prefer. it's helpful to go a bit higher, closer to the eyes, so it 'lifts' the face instead of 'dragging down' and lengthening the midface, but not too high that you leave a blank gap underneath; it may also be helpful to avoid 'draping' that brings blush up to sculpt the cheekbones and the temples - this will narrow and elongate the midface, though it will make your overall face appear smaller of course, and is great if you prefer slimming the appearance of the face. another placement is directly on the cheeks at the front of the face, close to under the eyes; again it draws attention upwards towards the eyes, and also to the fullness of the cheeks. it looks very sweet, and lends that adorable exerted or about-to-cry vibe. these aren't the only placements. play around! in general, place blush on the broad frontal plane of the cheeks, and avoid blush on the sides of the face that 'sculpt' or contour' the cheekbones (you can go the other way if you would rather narrow your face shape), though you can let your blush blend out slightly to the side to avoid that 'side vertical space bar' i mentioned under eyebrows. and try not to apply blush too low as this can drag the face down as well (if you have a habit of smiling and then applying blush to the apples of your cheeks, be aware that the area usually falls lower when you are no longer smiling). https://preview.redd.it/0cga1wtcqhz91.png?width=1280&format=png&auto=webp&s=cffc034226dd59a84efe7a82e1f615558f038366 in terms of shade, choose a colour harmonious on your colouring (not necessarily 'natural'). a bright tone will draw more attention to the cheeks and add volume (that said, cheeks are not usually a main feature, so drawing too much attention to them can be unflattering). a colour with clear tone or pastel milky base will also add volume (if your skin is darker, beware white base getting ashy). and of course classic nude/neutral/natural blush always works. you can layer bright blush on top of soft blush in a radiating gradient to create more dimension. also, a blush with a glowy finish will emphasise volume and shape more compared to a matte blush, just like with base makeup. here is a great youtube tutorial by saerom min guiding blush shade and placement. remember that shiny highlight reflects light on curves that already exist. you may see beauty gurus carve out shapes that don't exist with highlight and contour and look good in youtube videos or posed instagram photos, but in real life, with moving around and shifting lights, it doesn't work as well. highlight and contour only really works on something that already exists. that said, you can still manipulate strategically! when highlighting the cheeks, instead of popping highlight high on the very peak of the cheekbones, consider highlighting a broader area over the front of the cheeks for more glow and volume. you can mix highlight with your blush, or apply highlight under blush/foundation for a more natural, blended look. if highlighting the nose, don't apply one long narrow strip down the bridge. break it up; highlight the bridge, then leave a gap before highlighting the tip. you can further contour the top of the tip (but if you don't naturally have a protruding tip, you don't have to do this; remember, contour and highlight only works realistically to emphasise features that already exist). you can also powder down or detract highlighting from the area between the brows; this will shorten the appearance of the nose bridge hence nose hence midface. you can contour more horizontal 'breaking' lines along the bottom of the nose tip. if you struggle with contour, consider a lighter greyer desaturated shade, or using your blush for a more harmonious/cohesive vibe. you can also place blush on the tip of the nose to add volume and break the length up. if you want volume without exacerbating texture or emphasising 'curved' volume, highlight with a matte shade - a matte bright surface can add flat volume. this is especially useful for areas like next to the nose to avoid lines or puffiness. try to conceal redness around the nose, especially if below the tip; otherwise it will pull attention and 'drag the face down'. nasolabial folds can also draw the eye down; you can use powder or other concealing methods to reduce the appearance of its fold/curve. LIPS. the philtrum is the area between the nose and upper lip. a long philtrum may 'pull down' and create the appearance of a longer midface (and lower face, and bigger head/face in general). no such thing as 'ideal' philtrum ok all are beautiful but just use this to visualise its appearance can be shortened by contouring and highlighting lower on the tip of the nose (this will depend on the shape of your own nose), highlighting the ridges of the philtrum (this gives it a more raised appearance and breaks up the visual of a long flat surface), and most obviously by overlining the upper lip. depending on your lip line definition and shape, a defined vs. blurry overline might look better; if you have a very defined lip line, you might not be able to overline in a way that looks natural. using a shade similar to your base lip colour to overline can look more natural. you can also highlight the cupid's bow to emphasise its height, thus restricting the 'philtrum area', and also creating a more rosebud/heart-shaped lip shape (along with blurry-overlining only at the cupid's bow), which is very trendy in douyin makeup. overall, this step is tricky; it can look pretty and natural, but it can also easily look very fake and unflattering in real life, especially if overdone. experiment and see that works for you! https://preview.redd.it/zr1dgo4pknz91.png?width=800&format=png&auto=webp&s=634fb94b34ecb5811416a89df68d3f6890f7ddbd using a glossy lip or other lip makeup to distract away from the philtrum and draw attention to the lips instead or increase its fullness and volume relative to the philtrum, may also help (but it may also draw more attention to the philtrum, so ymmv). you can also try adding a fake mole/freckle/spot to fill up space. CHIN. okay this is cheating, because it's not in the 'midface', but it helps! traditionally the korean beauty standard prizes a slim v-shaped face, and enjoys contouring the entire cheek and chin to be v-shaped; but if you want to focus on the more baby-faced dolly trend, leave the cheekbones bare and only contour the chin to make it more v-shaped and small; a smaller chin will contribute to a fuller midface. you can also shorten the chin instead of a v-shape by applying contour horizontally at the base, or by applying blush to the chin. HAIR. again not part of the midface, but hair makes a massive difference in one's overall appearance and can alter the appearance of the midface. firstly, to minimize the appearance of the face and forehead, you can fill in your hairline, either with eyeshadow, eyeliner, or whatever product you prefer. this is a type of contouring and gives both the appearance of fuller healthier hair, and a smaller face and forehead. in terms of facial harmony, the eyes are 'meant to be' in the middle of the head (from tip of head to chin). if your eyes are higher than the midpoint, this can be adjusted by increasing your cranial top, that is the distance between the top of your head and hairline, by voluminizing your hair (or adding accessories, etc.) expanding this upper area will make your lower face (and your midface) smaller in comparison. dearpeachie has a few youtube tutorials on high cranial top, i haven't really watched them but they might be useful for hairstyling tips. left: low cranial top / right: high cranial top any kind of bangs like curtain bangs that halt by the side of the face and 'break up' the midface can also help. curls that voluminize the appearance of the head horizontally can also help broaden the perception of the face and make the face look smaller overall by comparison. earrings with a rounded, clustered, short effect can have a similar effect in breaking up the face. CONSIDERATIONS remember -- you can skip the steps contraindicated by your own features!! for example, if you have a broad round face, straight thick low eyebrows can be super unflattering. sure, it might shorten your midface... but at what cost????? (though of course if you like how it looks then please by all means do it, the only person that has to like your face is you!) please also remember that you of course don't need to do every single step listed above!! nothing is 'essential'. if you don't like glowy skin, you don't HAVE to have glowy skin. if you just can't shorten your philtrum in a way you like, leave it out. choose the steps you like best and that work the best for you and focus on those! don't try to cram everything in and overcrowd your face or make it too short. at the end of the day, overall harmony (and being happy with yourself) is the most important thing. note which tips shorten the midface by vertically shortening the visual space (eg. placing blush across the nose), vs. broadening the visage relative to the rest of the face (eg. glowy voluminous skin). this may be helpful in choosing which steps flatter you the most. also this is not a comprehensive list of all tips, nor will every tip work for everyone!! ymmv. please try them out to your own discretion and adjust for your personal features and preferences. MAKEUP TLDR:
conclusionoki that's all, if you enjoy the look of a shorter midface and want to try it out, i hope this was helpful! if you prefer listening over reading and/or want more visual aids, i recommend this youtube tutorial by jeyu, which covers most of the tips in this post, plus she actually demonstrates it on your face so it's super helpful to watch and see it all come into play.and if you don't have, like, or want a shorter midface, that's also perfectly okay! you are fully entitled to your opinions, and are beautiful no matter what length or proportion of face you have. at the end of the day, please remember you are so much more than your face, your value is so much greater than someone else's subjective evaluation of your appearance. the midface does not change how beautiful you really are. many people prefer longer faces, and many incredibly beautiful people have longer faces. the most important person that needs to love you is yourself. beauty standards can be toxic and dangerous; do not let it hurt you. do not let it make you compare yourself to others. do not let it trick you into bringing down other women (or people). and never, never let it bring you down. beauty is for empowerment and self-love. use it; don't let it use you!! |
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 | submitted by design_empire to u/design_empire [link] [comments] |
 | submitted by afk_inside to afkarena [link] [comments] |
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